light enters and spreads throughout the inside of the container through refraction, illuminating the home of the colored liquid.

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the program is organized by three semi-buried pavilions whose roofs are tied to the ground, absorbed by the forest.

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its slim 6T stainless steel legs provide a visually light appearance, while diagonal tension elements ensure stability and even weight distribution.

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its name recalls the distinctive irori, a traditional japanese sunken hearth, which is the centerpiece of this hidden property.

The post NOT A HOTEL KITAKARUIZAWA IRORI blends wood and glass amid japanese woodland appeared first on designboom | architecture & design magazine.

as the seasons change, and as observers move past the space, the glass lends an ever-evolving interplay of color, light, and shade.

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the series draws inspiration from the metaphor of nurturing and growth, symbolizing the importance of watering.

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designboom interviews artist najla el zein during the opening of her friedman benda show ‘opacity, transparency, and everything in between.’

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the design consists of five large curved structural steel arches, each with a span of 22 meters, revitalizing the regeneration masterplan taking place in the city.

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lasvit introduced fused glass for architecture, blending tradition with modernity while leading the way in glass artistry.

The post lasvit’s ‘re/creation’ emerges with handcrafted fused glass of various textures & forms appeared first on designboom | architecture & design magazine.

originally a ground floor shop from the 1970s, the project dissolves the traditional boundaries of a house with its unusual material palette.

The post fala atelier weaves glass brick and metal mesh to shape apartment for two in porto appeared first on designboom | architecture & design magazine.